History

Civilising the Native, Educating the Nation

Question:

Write a brief note on Kalighat paintings.

Answer:

Kalighat painting originated in the 19th century Bengal in the vicinity of Kalighat temple of Kollcata. The paintings developed as a distinct school of Indian painting. The paintings depicted Hindu gods, goddesses, and other mythological characters. The Kalighat Paintings are watercolour paintings done on mill-made paper. The styles of these paintings were characterized by broad sweeping brush lines, bold colours and simple forms. These paintings were sold to the devotees who visited the Kalighat temple
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Civilising the Native, Educating the Nation

Q 1.

What were the changes that could be seen as women became actively involved in reforms?

Q 2.

Write a brief not on abolition of untouchability and Reservation Policy.

Q 3.

Describe European artists style.

Q 4.

How did the knowledge of ancient texts help the reformers promote new laws?

Q 5.

What are miniature paintings?

Q 6.

State the recommendations of the Wood’s Despatch.

Q 7.

What was thecalico Act ?

Q 8.

Write about Raja Rammohun Roy and his reforms

Q 9.

Why did Phule dedicate his book Gulamgiritothe American movement to free slaves?

Q 10.

Give one reason why English continued to be used in India after Independence.

Q 11.

What did Ambedkar want to achieve through the temple entry movement?

Q 12.

What made Gandhiji call off the non-cooperation movement?

Q 13.

What are 3 lists of subjects that the constitution has provided to balance the different views on power sharing between the centre and the state?

Q 14.

What was the plight of Indian women 200 years ago?

Q 15.

What were the new Governments priorities?

Q 16.

What were the problems that faced the new government after independence?

Q 17.

Why did the scroll painters and potters come to Kalighat? Why did they begin to paint new themes?

Q 18.

What is bandanna?

Q 19.

What were company Paintings?

Q 20.

How was the right to vote in adopted in the UK and the US?

Q 21.

How was the ecoromic development of India visualised in the earty decades after Independence?

Q 22.

Why did Gandhiji choose to break the salt law?

Q 23.

Point out which of the following were brought in with British art:
(a) oil painting
(b) miniatures
(c) life-size portrait painting
(d) use of perspective
(e) mural art

Q 24.

Name some weaver’s community in India.

Q 25.

What were Tagore’s ideas on education?

Q 26.

What were the different reasons people had for not sending girts to school?

Q 27.

What was the llbert Bill?

Q 28.

What is jamdani?

Q 29.

What were the reasons for the awareness among women?

Q 30.

What were the advantages that Indian weavers had?

Q 31.

How did the development of cotton industries in Britain affect textile producers in India?

Q 32.

In what way did the British history paintings in India reflect the attitudes of imperial conquerors?

Q 33.

Discuss those developments of the 1937-47 period that led to the creation of Pakistan

Q 34.

How was the politics of the Radicals within the Congress different from that of the Moderates?

Q 35.

Why can we think of Raja Ravi Varmas paintings as national?

Q 36.

How did Jyotirao the reformers justify their criticism of caste inequality in society?

Q 37.

What was Thomas Babington Macaulay instrumental for?

Q 38.

How do the names of different textiles tell us about their histories?

Q 39.

Mention the caste system that was prevalent in those days in India.

Q 40.

Describe the paintings done by Robert Ker Porter on the battle of Seringa patam.

Q 41.

After Independence, why was there a reluctance to divide the country on linguistic lines?

Q 42.

What problems did the Indian textile industry face in the early years of its development?

Q 43.

Why do you think some artists wanted to develop a national sty le of art?

Q 44.

Why did some artists produce cheap popular prints? What influence would such prints have had on the minds of people who looked at them?

Q 45.

What did the Khilafat movement support?

Q 46.

Why did the wool and silk producers in England protest against the import of Indian textiles in the early eighteenth century?

Q 47.

What is aspinning jenny?

Q 48.

What was the outcome of the Wood’s despatch?

Q 49.

Write a brief note on Kalighat paintings.

Q 50.

What did the Muslim League resolution of 1940 ask for?