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Interview Questions and Answers

CSS

Question:
Why does my content shift to the left on some pages in FF?
Answer:

That all be the pages with more content? The ones that have a vertical scrollbar? If you look in IE theres probably a white space on the right where there would be a scrollbar if there were enough content to require one. In Firefox, the scrollbar appears when its needed and the viewport becomes about 20px smaller, so the content seems to shift to the left when you move from a page with little content to one with lots of content. Its not a bug or something that needs to be fixed, but it does confuse and irritate some developers.
If, for some reason, you did like Firefox to always have scrollbars whether they are needed or not you can do this :CSS html { height:100.1%; }

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CSS - Questions
1. How to customize your text boxes.
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2. How can I specify two different sets of link colors?
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3. What is two auto margins?
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4. How do I make my div 100% height?
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5. What is parent child selector?
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6. How to use CSS to separate content and design ?
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7. How do I have a background image that isnt tiled?
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8. What is CSS3?
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9. Explain in brief about the term CSS.
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10. What are the various style sheets?
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11. What is the use @keyframes in CSS3?
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12. How do I have a fixed non scrolling background image?
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13. What is cascade?
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14. Why call the subtended angle a pixel, instead of something else ?
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15. Why is it my hover declaration for links does not work ?
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16. How do I place text over an image?
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17. Why does Netscape lose my styles ?
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18. Explain inline, embedded and external style sheets.
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19. How do you override the underlining of hyperlinks?
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20. When is auto different from 0 in margin properties?
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21. What are pseudo elements?
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22. Why use Style Sheets?
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23. What is property?
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24. How do I eliminate the blue border around linked images?
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25. What is attribute selector?
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26. What is one auto margin?
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27. Describe about float element.
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28. List various font attributes used in style sheet.
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29. Which font names are available on all platforms ?
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30. Why was the decision made to make padding apply outside of the width of a box, rather than inside, which would seem to make more sense?
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31. Why do style sheets exist?
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32. What are style sheet properties?
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33. Why does my content shift to the left on some pages in FF?
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34. What are Style Sheets?
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35. What is latest version, CSS4 or CSS3?
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36. Tell about hover element in CSS3.
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37. Describe pseudo classes in CSS.
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38. Can CSS be used with other than HTML documents?
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39. How do I move the list bullet to the left and right?
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40. What is grouping?
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41. How can I specify background images?
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42. Write different ways of styles applied in HTML file?
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43. How do I write my style sheet so that it gracefully cascades with users personal sheet ?
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44. what is Fixed Background?
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45. Which set of definitions, HTML attributes or CSS properties, take precedence?
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46. What are Cascading Style Sheets?
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47. How do I center block-elements with CSS1?
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48. What is CSS rule ruleset?
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49. What are inline, block, parent, children, replaced and floating elements?
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50. Can Style Sheets and HTML stylistic elements be used in the same document?
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  • World Architecture

    Archigram

    The Archigram group was established in 1961 by a few young British architectsunited by common interests and antipathies. Its founders were Peter Cook, Michael Webb, and David Greene, who were soon joined by Dennis Crompton, Ron Herron, and Warren Chalk. Archigrams international impactits architectural feat, so to speakwas significant. Other architects would give form to its notions. The Centre Pompidou, Paris, by Renzo Piano and Richard Rogers, and Arata Isozakis buildings at the 1970 Osaka Worlds Fair are redolent of the fantastic schemes drawn, but never built, by Archigram. The Austrian architect Hans Hollein, too, admits his debt to them after 1964. It is in the realm of ideas about living in an advanced industrial civilization that they offered most. All the founders had been students at the Architecture Association school in London, where they had learned, in the face of a then-reactionary architectural profession, to apply democratic principles to the art. The members who came later assimilated those ideas and blended them with other influences, notably the futuristic urban visions of Friedrich Kiesler and Bruno Taut and the technological notions of Richard Buckminster Fuller, whom they heroized. They also formed a symbiotic intellectual association with the exactly contemporary Japanese Metabolist group, in which Isozaki was preeminent. The Japanese applauded their efforts todismantle the apparatus of Modern Architecture. Like the Dutch De Stijl group around 1920, Archigrams cooperation was mainly through a polemical journal and like the Hollanders, it drew its name from the title of the journal. Archigram derived fromarchitecture andtelegram oraerogram was published almost annually between 1961 and 1974. Archigram, more like a polemical broadsheet than a journal, directed an attack on the smugness of modernist architectural conservatism, reinforced by what can best be called Britishness. The powerful publication ran to ten annual issues, preaching an urgent message about architecture that has been described asesthetic technocratic idealism. Possibly the most significant architectural publication of the decade, itspop format, including beautifully drawn comic strips, declared the groupsoptimism and possibilities of technology and the counterculture of the pop generation. The 1964 issue, after a controversialLiving City exhibition at Londons Institute of Contemporary Arts, attracted the critic Reyner Banham, who became the groups champion. There followed a succession of perhaps outlandish architectural proposals. Archigrams direction was urban, technological, autocraticand some have said inhumane. The members believed that technology was the hope of the world, so traditional means of building houses and cities must be superseded. Their favorite words were change, adaptability, flexibility, metamorphosis, impermanence, and ephemerality. Accordingly, they designed a living environment that incorporated all kinds of gadgetry. They proposed an inflatable bodysuit containing food, radio, and television, and thesuitaloon, a house carried on the back. These eccentric ideas extended from the individual to the communal: Chalks Capsule Homes 1964 were projected alongside Cooks Plug-in City 1964?1966, in which self- contained living units could be temporarily fitted into towering structural frames, and Herrons nomadic Walking City in which skyscrapers could move on giant telescoping legs. The group published its Instant City in 1968. It has been suggested that in the 1960s Archigram was to modern architecture what the Beatles were to modern music. But in the early 1970s they more or less dispersed, Greene and Herron for a while becoming teachers in the United States. Crompton, Cook, and Herron formed Archigram Architects 1970?1974. Herron and Cook then established independent practices in various partnerships. Crompton maintained links with the Architectural Association, and Greene turned to writing poetry and practicing architecture. Webb moved permanently to the United States and after 1975 taught at Cornell and Columbia Universities in New York. Chalk continued writing and teaching in the United States and England, mostly at the Architectural Association, until he died in 1987.


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